‘Suicide Squad’ FILM REVIEW

*Sigh* 

I had such high hopes. Now, that may seem a pretty harsh way to begin a review, and don’t get me wrong there are definitely some defining and memorable moments throughout this film I really enjoyed but…there just could have been so much more. 

More Captain Boomerang, more Katana, more Joker…the list is endless. It’s meant to be a ‘squad’ and Lord knows everyone under the sun knows what that means thanks to T-Swift and her friends, but really it just felt like the Deadshot and Harley Quinn show. And whilst I really loved those characters I did feel like we didn’t get a chance to really see the others shine like we know they have the potential to do. 

Origin stories are always hard- you want to give the audience enough information so the present storyline makes sense but you don’t want to load them down with too many flashbacks and stoic moments where the characters wonder how they got to this point in their lives. It really is a delicate balance, and I’m not one hundred percent sure that ‘Suicide Squad’ nailed it. There was a lot of flashbacks rammed into the storyline that made it feel jolty and at times slightly confusing. The flashbacks themselves were not in order, we saw Harley both pre and post Joker in random sequences, so you were never completely sure of the timeline. 

Will Smith killed it, naturally- his talent for humour and timing shining through in the character of Deadshot very nicely and offering comic relief in the darkest moments. His relationship with army man Rick Flag, portrayed by Joel Kinnaman, was also a highlight for me as I enjoyed their comradery and to-and-fro sarcasm throughout the film, the contrast between good and evil yet joining together to fight for a cause. And the attitude he holds towards Viola Davis’ Amanda Waller had me laughing out loud, particularly his ‘How are you not dead?’ delivery. Flawless.

After all the hype behind the multiple trailers, posters, teasers and radio adverts run throughout the months leading up to the films release I felt a little disappointed however about the amount of screen time the Joker got. He was supposed to be the ultimate bad guy- Jared Leto clearly put his all into it and yet he was used almost as a side piece. An idea to show Harley Quinn’s backstory and nothing more. He played a slight comic relief that didn’t really live up to his potential. And I’m not the only one disappointed in the portrayal- Leto himself has said he was upset with the way he had been placed into the film, believing that the potential of the role was not explored fully.

Needless to say, fans felt tricked and slightly let down by the filmmakers in regards to what they thought to be a major story arc. There seems to be promises of more in the extended cut, but I’ll reserve any kind of judgement until I see it for myself.

With that, the big bad guy was anything but. And trust me, it wounds me to writes such words. I LOVE Cara Delevingne, and I have for years. When she made the leap to acting I was thrilled, simply because it meant we would see more of her on the big screen. But, I feel she took on too much, too soon. This character is not well thought out or portrayed at all, and I feel that is only part Delevingne’s issue. She gets the June Moon persona nailed down, the scared unknowing woman who doesn’t understand the powerful being inside her- however when she makes the transition to Enchantress, something gets lost in translation. She becomes comedic, but not in a good sense. She becomes sexualised, scantily dressed and gyrating around whilst everyone else gets in on the action. She is given an odd CGI voice and look, and somehow the reality of the film, already hanging by a thread due to it’s nature, is completely lost. It’s heart-breaking, simply because the potential is there and not acted upon. However, I do think the other enemy Amanda Waller was portrayed in justice. Viola Davis bought the right amount of patriotic loyalty and emotionless drive to make her hated by the characters and audience alike. Her dominant role throughout the film, to me, seemed to be simply to make the audience side with the protagonists, the ‘squad’ who even though they are quintessentially evil you find yourself rooting for them to succeed. It’s a redemption story, and Waller is the catalyst for succession.

The CGI and special effects was another issue for me- I feel this is just becoming a list of complaints but roll with it, we will get there- simply because it didn’t live up to other aspects of the film. Characters are humorous and attention grabbing for the most part, and I enjoyed laughing along with them. however, I did not enjoy laughing at the CGI because I was SUPPOSED to laugh at it. It was an awkward laugh because it was unbelievable- the whole point of CGI is to make us believe what we are seeing is real, that it really, truly exists- and there were points that succeeded, such as El Diablo’s (another underrated character) full transformation.

A highlight for me was the soundtrack- it kept the film alive and rolling. It succinctly narrated the film and kept the feel of a comedic superhero film going, even if some of the songs did feel a little out of place. I also enjoyed the not so subtle tie-ins to the Justice League upcoming films, the reveal of the Flash and the return of Affleck’s Batman. That last one is a bit of a stretch as I have strong mixed feelings towards ol’ Ben’s Batman, but that’s for another day and post. But I love a good tie-in, and teasers are my weakness. The more interactions they have the more real the characters become to be- it gives them a sense of history, a past we are only just starting to learn.

The film ends ambiguously, I think- they leave it wide open with the Joker re-appearing, naturally, with the options of numerous sequels. There are a number of villains that could potentially be lined up for the squad to defeat- Harley, Deadshot, Killer Croc and Boomerang are all still in Belle Reve, and El Diablo’s fate seems slightly equivocal. I’m not sure how I feel about this situation. As a story arc, Enchantress is defeated and the squad benefit from being temporarily good- we get to see an aspect of humanity and vulnerability to them all that I like.

I left the cinema with mixed feelings- I found it enjoyable whilst I watched it, but the more I thought about it the more flaws I found. It seems to be a trait I find forming with regards to DC movies recently. Overall, it’s a feel good movie that is watchable enough but should be a definite miss for those die-hard comic fans, or really anyone who knows anything about the original comic characters. Sadly, the film just didn’t do them justice.

5.5/10

The Return of Winter

*This is a work of fiction*

The call came through just as Detective Dylan Carter was prepared to call it a night. He was sitting staring blankly at his computer screen, willing it to reveal some clue he was convinced he had missed, when the shrill sound of the phone jolted him back to reality. His partner, pacing the width of his desk opposite him, leapt and grabbed the receiver, jamming it to his ear.

‘Hollis.’

Pause.

‘Huh-huh. Huh-huh.’

Another pause. Carter picked up a pen and started to roll it between his fingers.

‘You’re sure?’ Hollis stopped pacing. ‘Alice, don’t fuck with me.’

Carter heard the woman on the other end laugh and couldn’t stop the grin growing on his own face.

‘Great, thanks Alice,’ Hollis hung up a few moments later and whistled for Carter’s attention.

‘Yo, time to move. Alice said the blood work came through positive. The chief is working on the warrant now.’

Carter threw the pen down on the desk and stood up, grabbing his jacket off the back of his chair.

‘You serious? It’s a match?’

‘Near perfect. Your boy Garrett is going away for a long time.’

The two men fell into step together as they left the precinct and headed towards Carter’s SUV, the closest thing to a baby Carter was ever going to have.

‘You got a home address?’ Carter asked. Hollis shook his head.

‘I can do you one better- work.’

Carter’s head snapped round to look at his partner.

‘No fucking way. They just handed that over to you?’

Hollis smiled a shit eating grin.

‘I may have had to use my powers of persuasion.’

Carter didn’t ask any more questions. He really didn’t want to know.

‘Hang on, who’d you persuade? There’s no way the boys down in the Drug Department gave you Garrett’s address-‘

‘I didn’t talk to those assholes. Meredith in trafficking gave it to me. Good and hard,’ Hollis added, making Carter roll his eyes.

‘What does she have-? No…’ he said, grinning.

‘Oh yes. Our boy’s being tracked for human trafficking and prostitution. Seriously, is there any pie this guy doesn’t have his finger stuck in?’

The street lamps had started flickering on, paving the road as they sped toward their destination. A large abandoned warehouse on the South Side. Carter couldn’t help thinking how much of a cliché it all was.

‘Back-up?’

‘ETA in four minutes,’ Hollis replied. They both got out of the car and headed round the back, popping the trunk. Carter grabbed his bulletproof vest before handing another to Hollis. He and his partner may have been known around the precinct as reckless, but they were also well seasoned cops who knew the importance of a vest. They both had the scars to prove it.

‘Looks dead. You sure this is the place?’ Carter asked three minutes later. He was getting restless, finding it hard to stay still. Joe Garrett had been his personal ghost for the past three years, and he really needed to nail this guy.

‘Don’t blame me, blame the source,’ Hollis shrugged.

‘Who, your girlfriend?’

‘Ain’t my girlfriend,’ Hollis threw back.

Carter chuckled, and started to edge forward. He un-holstered his gun and heard Hollis do the same behind him. Together they crept forward, staying close to the side of the building and listening for the sounds of movement coming from nearby. Carter could feel his trigger finger itching, holding the gun tightly as he edged forward.

‘How we gonna celebrate?’ Hollis said softly.

Carter rolled his eyes. ‘Let’s nail this guy first. Then decide what the fuck we’re gonna get drunk on.’

‘I like the sound of that.’

Just at that moment the call came through their earpieces that the backup had arrived and were in position- snipers on the roof of the building opposite, guns trained on the only door visible. Either Garrett was stupid or risky; because Carter knew one door meant one way in and out. It made him calculate the odds in his head- they were either gonna find girls, guns or drugs in this warehouse, and the one door was screaming odds in favour of the first.

‘Hollis. Call for an ambulance.’

‘What?’

‘Got a gut instinct going on.’

‘Ah, shit.’

Carter heard his partner bark a few words into his earpiece before calling emergency services. ‘They’re on their way. What you think we gonna find in there?’

‘I dunno. But I don’t think it’s what we are looking for.’

There was a quick countdown and the two men along with ten others stormed through the door into the building, guns held shoulder height and announcing who they were. Three men guarding the warehouse began firing back, and Carter ducked behind some crates and barrels to the side, ducking his head against the gunfire.

He was getting too old for this shit.

Finally the three men were down and silence prevailed, only one of their men injured. Carter checked on him before heading further into the warehouse, wanting to see what Garrett had been storing. Checking the three dead men, he was disappointed to find none of them were Garrett himself, but rather his lackeys. Fuckin’ A.

‘Yo, Carter- where you headed?’

‘There’s a room back here, wanna see what Garrett’s got cooking.’

‘Need backup?’

‘Nah, I got this.’

The door opened into a narrow corridor, numerous doors on either side. Doors with very big locks on them. The doors were old, but the locks looked brand spanking new, causing Carter’s wariness to soar. He kept his gun un-holstered and by his side, eyes darting around for any sudden movement. He came to the first door and decided to risk it, using the butt of his gun to smash against the lock until it broke. He pulled the pieces away and gave the door a shove, stumbling slightly when the door gave way easily. Carter had to wait a moment for his eyes to adjust to the darkness before looking around.

Suddenly, there was movement.

The girl was lying on the bed, scantily clad. Everything that needed to be was covered, Carter thanked God, but the rest left little to the imagination.

Carter strode over to her, putting his gun back in the holster.

‘Hey, you OK?’

The girl looked at him incredulously.

‘I’ve been better.’

Carter reached out a hand for her to take. The girl stared at it for a moment before returning to his gaze.

‘Now you’re offering a hand?’

Carter frowned.

‘What?’

The girl smiled. It was a humourless smile. It looked ugly on her young face.

‘It’s been a while, Dylan. You got old.’

He should be offended, but he was too busy trying to rack his brain, trying to remember this girl. She was all long limbed and delicate features, hair that was dark brown on the top and slowly lightened to blonde at the end. Carter knew that was the fashion these days, but fuck if he understood it.

‘You know me?’

‘Biblically? No.’

He let out a silent breath. Not a scorned lover then. But who-?

‘Holy fuck.’ Now he knew. It had been years, seven to be precise, but he could see it now. The same hazel eyes, same pointed chin. ‘Effie?’

Carter grabbed her arm and pulled her up from the bed, snatching the blanket one of the paramedics had brought and wrapping it round her, both for modesty and warmth.

‘Effie Winter? What the hell are you doing here?’

‘Oh, you know. Just catching a movie. You?’

Carter didn’t respond. Instead, he just stared. Of all the places in the world, this was the last of them he would have expected to see his best friend’s daughter.

‘Come with me,’ he said, holding on firmly to her arm, noting how skinny it was. He led her out of the warehouse and over to one of the ambulances, demanding that a paramedic check her out. He ignored her sounds of protests and promised to rip the paramedic limb from limb if he didn’t take good care of her before heading back over to his SUV where Hollis was waiting.

‘Found one you like?’ Hollis said, nodding back over to Effie.

‘Don’t.’

Hollis clearly noticed the look on Carter’s face because he stopped joking and fell serious.

‘Dude, you OK?’

‘That’s Andy Winter’s kid.’

Hollis looked repeatedly between Carter and where Effie was standing.

‘Are you fucking around?’

Carter shook his head. Hollis let out a low whistle.

‘You seen her since the accident?’

Carter stiffened, the subject still sore.

‘Damn, what happened to her?’

‘No clue. But I plan to find out.’

 

 

 

‘Shadowhunters’ TV REVIEW

Cassandra Clare’s ‘The Mortal Instruments’ have been some of my favourite books for many years. An immensely popular YA fiction series that creates rich characters, wonderful story arcs and twisted relationships that would make a wonderful soap drama in the world of supernatural. So when they announced they were making a film version a few years ago, I was thrilled. After seeing it, a little less so. Don’t get me wrong, it was good but- it wasn’t exactly gripping. The casting seemed off, too many things were changed from the original text and I just felt some of the magic got lost on the crossover from page to screen. 

But, thank goodness, we as a fandom were given a second chance in the form of a television show. A chance for the media Gods to redeem themselves, if you like. But the whole world was watching, and every eye was on McG and Ed Decter, the shows producers, to do a better job that had been done before. Every member of the fandom had an opinion on who to be cast in the beloved teen roles of Jace and Clary, not to mention Alec, Izzy, Simon and Magnus- and all opinions were different. It seemed an impossible task to get right, but somehow, they managed it. Well, almost managed it. A couple of casting choices seemed a little dubious to me, but we will get to that later. 

Next came the story-line- what parts of the novel were the writers going to keep, and what was going to be added? Would they go completely off book to keep the plot alive and interesting- after all, as much as we love the books, knowing everything that is going to happen before it actually does was bound to get tedious for fans of the novels. The writers had a hard task of sticking to the plot as well as inventing new twists and turns to keep us as viewers captivated. There’s a very thin line between staying true to the original story and throwing it away for artistic license- and with fans as passionate as the ones of ‘The Mortal Instruments’, it’s not a line you would want to cross.

Especially with regards to the relationships that are present in the novel. With characters as rich and dimensional as the ones Clare had created on the page, there comes a lot of drama, romance and emotions. the fans were desperate for that to come across on the screen as well as it does in the books. The witty banter between Jace and Clary is crucial to their relationship, it’s what makes it stand out and so much fun to read- the shameless flirting from Magnus and the awkward bashfulness from Alec is so important for their journey and had to be included, otherwise it would simply fall flat- both from the writers and the actors. These are characters we know so intimately, after six books plus extras written all about them, it’s easy enough to say you know them as well as your own family. Everyone’s a critic when it comes to something you’re passionate about. 

I personally am much happier with the casting choices, overall, for the TV series than I was for the film. Yes, there are a couple of actors I would have loved to have bought over from film to TV land, such as Jared Harris in the role of Hodge who, to me, was just perfection. I very much enjoy Jon Corr as an actor, but when a character is described a certain way in a novel I prefer to see that same description on the screen as well. 

The stand out roles for me, without a doubt, were Alec and Magnus, played by Matthew Daddario and Harry Shum Jr. respectively. And not just because I am such a fan of their characters together, but because they really embodied the main personality traits their characters’ possess. Shum Jr. manages to use his dancing background to give Magnus the flair and ‘sparkle’ that he deserves, playing the magical warlock with a sharp tongue and a ‘c’est le vie’ attitude about most things with a credit to his skills. Whilst Daddario portrays a stoic and strict version of Alec that compliments his other half Magnus. He plays the leader with great authority, but shows the vulnerable side of Alec that stems from his struggles regarding sexuality and feelings in a way that makes you find him endearing and a joy to watch. 

Other members of the cast such as  Emeraude Toubia and Alberto Rosende, who bring Izzy and Simon to life on screen, really did their characters justice in their portrayals. The changes made to the character of Luke Garroway, played by Isaiah Mustafa, turning him from a bookkeeper to a detective really worked favorably for the plot-line and the story arc of the entire season. The older generation of characters, the parental roles, really hold their own- they have more prominent roles than in the movie which is also something I enjoyed- to see the family aspect of the show and the novels really come to life. 

And now we move onto the two leads of the show, Jace and Clary portrayed by Dominic Sherwood and Katherine McNamara. Whilst I appreciate there can be pressure and responsibility when playing the lead in a show, something about the performances felt…flat. McNamara’s portrayal seemed forced, her facial expressions too dramatic and the words just not seeming quite natural. Physically she matches Clary from the book perfectly, but her over innocence and dramatic outbursts become tiresome fairly quickly in the series. Her chemistry with Dominic Sherwood cannot be faulted however, and when the two share the screen it really is hard to look away. They play off each other with ease- the flirtatious game Jace and Clary are known for in the first novel very clear on screen. Sherwood’s portrayal of Jace is very well done- he nails the sarcasm to a tee and he’s got the looks as well, but I don’t know if its simply because I have built a certain, very clear image of Jace in my head over the years that makes me a little bias to anyone playing him, but something seems off. I don’t know if its because Sherwood’s Jace is a lot angrier and hot tempered than I remember Jace being in the novels- he was always the ‘scary calm’ type rather than shouting his feelings. Or maybe it’s just the script itself I struggled with. 

The script had it’s ups and down for me. The plot I enjoyed immensely, because it was a nice mixture of the original text and new ideas, but the dialogue seemed overkill. There was such an information dump and obvious lines that could have been expressed with emotion or movement rather than words. It felt jarring at times, like the actors were trying to catch the audience up with all the information they needed to know so that the next scene made scene. It was a little disconcerting, and broke up the dialogue and the scene quite a bit. Above all else, it felt a little insulting to the audience, as if we needed to be spoon fed information to understand the show. I did, however, like how each character had their own story line and own issues to deal with, all whilst being tied together by the main story arc- defeating the villain Valentine, played by Alan Van Sprang. 

The costumes and styles definitely need a mention as well- what the characters wear is a huge part in the novels, ‘wearing black better than the widows of our enemies’ runs a strong theme throughout all of Clare’s shadowhunter novels, and the costume designers did not disappoint. Leather as far as the eye could see, weapons galore and more black material than you could shake a stick at- I loved it. The characters totally looked the part, and the costumes are something I cannot fault. And the wedding dress…I’ll say no more. 

And moving swiftly from the costumes to a new but not entirely unrelated topic, the settings- in particular the Shadowhunter Institute where the characters live and work- are all incredible as well. The set designers have outdone themselves, building the apartment where Clary and her mother live, the institute itself, and various other settings that help support the story line. 

The last thing I wanted to address was the changes to the original story whilst it was being adapted. There are many people out there who want the story to remain the same, to just see the original text up on the screen with no changes, and I understand that. When you love something, you don’t want to see it changed- perhaps for worse. It’s a risk the writers, and the fans, have to take when a project like this is green-lit. But personally, I liked the changes. The main events stay the same but there are many twists and turns that I really enjoyed throughout the season- it made it seem fresh and new, and gave the story another dimension. 

And, luckily for us as a fandom, the show has been picked up for a season 2, coming early 2017. I, for one, cannot wait to see where the story is going to go. 

6.5/10 

‘Captain America: Civil War’ FILM REVIEW

Now, I know I’m a little behind with posting this movie review, but it felt like disrespect to the film if I didn’t. 

For those who know me, and now those of you that don’t, I am a huge comic book movie fan. I have been since the day Robert Downey, Jr graced our screens as Iron Man EIGHT years ago. I know, I know- it doesn’t seem like there was a time before these films were in our lives, but that’s the truth. And the latest in the series is ‘Captain America: Civil War’. 

Now, where to start? Not only is this a huge story arc in the comics for two of the most well known and well loved comic book superheroes, but it is also an extremely pivotal moment for the phases that Marvel Cinematic Universe are creating. It’s the start of phase three, the last of the phases and what I like to call, ‘the beginning of the end’. We have seen the origin stories, and we have seen the Avenger’s come together to for the greater good- now, we see them battle among themselves to determine what actually is ‘the greater good’ and how they are going to achieve it. 

I loved this movie, but then again, Marvel continues to live up to my expectations. It managed to create turmoil and unrest between the characters without ever making them the villains, you understood why they were fighting on the side they had chosen, and what motivated each and everyone of them. There was a great mixture of old and new faces, and no one character stole more screen time than was necessary. 

The story follows on from Avengers: Age of Ultron, and we find the camp split in two after the United Nations wants to create a government group that takes control of the Avengers and the missions they choose to take. Now, it’s a lot more complicated and thorough than that, but it’s the condensed form- plus, I don’t want to give too much away. The team is split with Captain America leading one side, whilst Iron Man heads up the other. Its a battle of friends and best intentions, and really grips you from start to finish.  

Some new faces include Black Panther and Spiderman, whilst old favourites like Ant-Man who stood strong in their stand alone movie really bring a sense of comic relief to the film. We see villains become friends, friends become enemies and many a patience tried. You spend the entire film trying to work out which side you think is right and wondering how on earth the relationships broken will ever be fixed. 

The action sequences, and there are many as per Marvel quota, deserve to be spoken about for many reasons. I cannot stand those movies where the action sequences are all the same, where there’s no mixture or diversity. Thankfully, this is not one of those movies. Each fight has a purpose, and is choreographed so brilliantly that you are on edge of your seat the entire time. One involves a motorbike, the next Captain America is clinging to the side of a building trying to stop a helicopter from taking off- it’s intense. The fight sequence in the airport is particularly breath-taking, a showcase of all the characters abilities in unique and entertaining ways. 

And the dialogue itself flows well, both a commendation to the writers and the actors. There is just enough moving moments, dramatic pauses, angry rants and surprise twists to make it a true Marvel film. Nothing is spoon fed to the audience, and there’s no big explanation where the villain describes his plans in intimate detail- the whole film keeps an edge of mystery about it, flicking between past and present until the big reveal at the end. I loved it, and that’s because I love being surprised. I’m a researcher, when I find a film or character I like I’ll read about them endlessly until I know everything- so when a film like this comes out and knocks me for ten, I love it. 

A big shout out to Chris Evans, reprising his role as Captain America, for showing a more reckless and law breaking side to his previously squeaky-clean character. There was a real dept to his character that I felt we didn’t see in previous films- the struggle to do what is right against what the law is telling him. That and his onscreen relationship with the Winter Solider, played by Sebastian Stan, really made him the stand out role for me. 

The newcomer Black Panther, portrayed by Chadwick Boseman, was another favourite of mine. A difficult role in itself, playing both a King and a superhero, whilst also having to stand tall amongst the veteran actors of Marvel, is not an easy task, yet Boseman handled it with ease and agility that made him born to play the role. I am really looking forward to the Black Panther solo film to see more of Boseman playing the role. 

To end, and put simply, a definite 2016 favourite of mine, and perhaps favourite Marvel film so far- as much as I enjoy the solo films, I love seeing the superheroes come together and this one, without Thor or Hulk sadly, really rose through the ranks for me to secure a top three placing. 

8/10